藝術(shù)家--Tadao Cern的建筑學(xué)與當(dāng)代藝術(shù)

藝術(shù)家Tadao Cern

        我決定通過學(xué)習(xí)建筑學(xué)，然后深入到當(dāng)代藝術(shù)領(lǐng)域，來嘗試一種不同的藝術(shù)世界方法。

        I’ve decided that I want to try a different approach to the art world by studying architecture and then diving deep in to contemporary art field. 

“Chromatic Aberration”

        所以我的視覺感知和我的創(chuàng)作過程都受到我從一開始就學(xué)到的東西的影響。作為一個(gè)建筑師，你與人類的人類學(xué)行為和習(xí)慣密切相關(guān)——你在他們周圍工作，與他們一起，或試圖改變他們。

        So my visual perception together with my creative process are very much influenced by the things that I’ve learned at the beginning. As an architect you are very closely related to human anthropological behavior and habits – you work around them, with them or try to change them. 

"Hanging Paintings"

        現(xiàn)在，作為一個(gè)藝術(shù)家，我有著同樣的興趣領(lǐng)域——我質(zhì)疑以某種方式影響人類行為的東西，這些東西是否可以改變？。

        And now as an artist I have the same field of interest – I question what affects human actions in a certain way and can those things be changed. 

"Initiations"

        我認(rèn)為藝術(shù)領(lǐng)域是一個(gè)智人的實(shí)驗(yàn)室，每一件藝術(shù)品都是一個(gè)幫助區(qū)分我們的行為/行為和自然行為界限的實(shí)驗(yàn)——作為一個(gè)藝術(shù)家，你可以記錄、改變、創(chuàng)造或消除它們。

        I consider art field as a laboratory for Homo Sapiens where each art piece is an experiment helping to distinguish our actions/interactions and natural behavior boundaries - as an artist you can document, change, create or get rid of them. 

"Adobe Acrobat"

        我試著不去認(rèn)為環(huán)繞在我身邊的每一樣?xùn)|西都是理所當(dāng)然的。為喜歡把事物與每一天發(fā)生的時(shí)間，把它們還原到基本的概念，然后再以藝術(shù)的方式展現(xiàn)出來。這一過程起到了提神醒腦的作用，幫助我們看到我們忘記并習(xí)以為常的事情。

        I try not to take everything that is around me for granted - I love taking everyday objects or occurrences, strip them to their basic concepts and reintroduce them as art. This process works as a refreshment, helping us to see things that we forget and take for granted. 

    "Comfort Zone"
 

        我的創(chuàng)作風(fēng)格也很受我的建筑背景的影響：我的工作是非常系統(tǒng)和理性的，我所有的藝術(shù)決策都是經(jīng)過計(jì)算的，我總是在尋找最衛(wèi)生的表達(dá)方式，所以這些想法會(huì)變得盡可能干凈。
        My creative style is very much affected by my architectural background too: I work in a very systematic and rational way, all my artistic decisions are calculated and I’m always looking for most hygienic expressions so the ideas would become as clean as possible.

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